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Follow Focus
Cmotion Follow Focus
compact ONE is the ready-to-use entry level one axis control system from cmotion. Both the camin and the hand controller follow the same design as the regular compact LCS, making it the most ergonomic system in this competitive price range.
The single page menu clearly displayed on the integrated 2.3” screen guarantees an easy plug and play set-up and includes features such as automatic and manual motor calibration, adjustable digital lens limits, motor torque adjustment, direction control and run/stop command.
Each compact ONE set is supplied with either a CLM-4 or CLM-5 motor. With a total on-board weight of less than 600g (with CLM-4 motor), compact ONE is the ideal system for any stabilizing system. Additional run/stop cables are available for ARRI, Blackmagic, Canon, Red and Sony.
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Audio
RODE VIDEO MIC GO CAMERA
Longer than Rode’s VideoMicro and with a narrower pickup pattern, the Rode VideoMic GO camera-mount shotgun microphone offers enhanced off-axis rejection for tighter directionality. Like the VideoMicro, it runs on plug-in power and has no controls or switches, making it well suited for mobile journalists, vloggers, and run-and-gun shooters in a hurry.
This compact and lightweight shotgun microphone features an integrated shockmount that mounts directly to your DSLR, mirrorless, or video camera and reduces noise from vibrations and camera handling. The windscreen design reduces wind noise, making it well suited for outdoor shoots. The detachable coiled 3.5mm TRS cable ensures easy hookup to your camera, and the dual-mono output means that no channel selection is necessary on your recording device.
Shotgun Mic with Directional Sound Pickup
Whereas most built-in camera microphones pick up sound from all directions, this microphone utilizes a supercardioid polar pattern to focus on sound in front of it while attenuating sound from the sides and rear. Its active electronics and directional condenser element deliver more detailed audio than the mics typically found in cameras and portable recorders.Easy Hookup to Camera
A detachable coiled 3.5mm cable is supplied for fast hookup to your camera. The cable is wired in a dual-mono configuration, ensuring that the mic signal is sent identically to both input channels of your camera or portable recorder.Runs on Plug-In Power
No batteries are required to operate the VideoMic GO. Just connect the microphone to your camera or recorder, enable plug-in power on the device, and forget about swapping or charging batteries.Integrated Shockmount Inhibits Vibrations
Understanding that the rubber bands used in many shockmounts can snap and stretch, Rode chose to integrate a rugged Rycote Lyre suspension-style shockmount. This simplifies setup of the mic and inhibits the transfer of vibrations from the camera. Plus, the bottom of the shockmount features a camera shoe mount with a 3/8″ thread, ensuring easy attachment to your camera or a boompole such as Rode’s Micro Boompole (available separately).Windscreen Minimizes Wind Noise
The VideoMic GO has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of wind noise in outdoor environments, consider a furry windshield such as the Rode DeadCat GO (available separately).Connectivity Options
Expand the microphone’s device compatibility with Rode accessories such as the SC4, SC7, and VXLR+ (all available separately). With either the SC4 or SC7, you can connect the VideoMic GO directly to a smartphone or tablet equipped with a 3.5mm TRRS jack. The VXLR+ adapter is the ideal solution when you want to record the VideoMic GO to a camcorder or mixer that has XLR inputs.SKU: n/a
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Canon 5D Mark 3
22.3 Megapixel full-frame CMOS sensor
The EOS 5D Mark III features a newly developed Canon full-frame 22.3 Megapixel CMOS sensor that’s designed from the ground up to create high resolution, perfectly detailed images with unprecedented speed and clarity. A full 24 x 36mm, the sensor captures 5784 x 3861 large individual 6.25 µm pixels and has a much-improved S/N ratio resulting in better images from the start. A new photodiode structure with an increased photoelectric conversion rate increases the sensor’s sensitivity by approximately 2 stops over previous models, meaning higher ISOs with the lowest noise of any EOS digital camera. And a 2-line 8-channel simultaneous signal readout means speeds of up to 6.0 fps (RAW + JPEG) are possible!
Cmotion Follow Focus
compact ONE is the ready-to-use entry level one axis control system from cmotion. Both the camin and the hand controller follow the same design as the regular compact LCS, making it the most ergonomic system in this competitive price range.
The single page menu clearly displayed on the integrated 2.3” screen guarantees an easy plug and play set-up and includes features such as automatic and manual motor calibration, adjustable digital lens limits, motor torque adjustment, direction control and run/stop command.
Each compact ONE set is supplied with either a CLM-4 or CLM-5 motor. With a total on-board weight of less than 600g (with CLM-4 motor), compact ONE is the ideal system for any stabilizing system. Additional run/stop cables are available for ARRI, Blackmagic, Canon, Red and Sony.
Sony A7S
Presenting the world’s smallest and lightest1 full frame interchangeable lens camera. With a groundbreaking 35mm large pixel image sensor rated at 15.3-stops of dynamic range and an ISO 409,600 sensitivity2, the α7S reveals astonishing detail and color even in the dead of night. Video excels with Full Pixel Readout, a 4K-optimized sensor and uncompressed 4K output. Fast, intelligent autofocus completes the picture
Canon EOS C200
Description
Canon ‘s EOS C200 Cinema Camera features a built-in EVF, 4″ LCD screen, top handle, and a Super 35mm CMOS sensor. The PL lens mount on the EOS C200 offers compatibility with virtually all 35mm PL-mount lenses, both vintage and modern, although it does not incorporate pins for electronic communication with or control of the lens. The Super 35mm sensor is paired with Canon’s Dual DIGIC DV 6 image processor, allowing it to capture and record up to DCI 4K resolution.
The C200 can also record Canon’s Cinema Raw Light internally via its single CFast card slot. The camera incorporates two SD card slots for recording UHD 4K and HD MP4 video. A built-in EVF enables the camera to maintain a small footprint when you shoot. However, the included removable 4″ LCD screen, top handle, and camera grip make the C200 versatile for larger shoots. You can output video via the camera’s SDI output, and the built-in XLR connectors provide two channels of audio at line, mic, and mic +48V level. A built-in Ethernet connector provides input/output control.
Main Features
- Canon Super 35mm CMOS Sensor
- Modeled on the Super 35mm motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It features 4096 x 2160 resolution to deliver Cine 4K images, as well as supporting Ultra HD (3840 x 2160), and Full HD (1920 x 1080).
- Dynamic Range, ISO Range
- The C200 features a dynamic range of approximately 13 stops, and an ISO range of 160 to 25,600. You can also select an expanded ISO range of 100 to 102,400. It supports Wide DR Gamma, Canon Log, and Canon Log 3.
- Dual Canon DIGIC DV 6 Image Processor
- The camera features Dual DIGIC DV 6 processors to handle the internal data processing.
- Ultra-High-Resolution EVF
- The EOS C200 features a built-in 0.46″, 1.23MP color EVF and 100% field of view coverage for comfortable viewing and accurate judgment of composition, focus, and color. The angle of the viewfinder is adjustable for additional user comfort.
- 4″ LCD Touchscreen Camera Grip and Top Handle
- Included with the C200 is a removable 4″ touchscreen LCD viewfinder. Also included is a camera control handgrip and a removable top handle.
- Rich Audio Controls
- Built directly into the C200 are two XLR audio inputs with +48V phantom power, and a 3.5mm microphone terminal. Audio is recorded uncompressed in 16-bit PCM format at 48 kHz for high fidelity sound. Both XLR inputs, as well as the mic terminal, have the option for automatic as well as manual gain control.
- Canon Cinema Raw Light
- This codec allows you to record raw data internally to a CFast 2.0 card via the camera’s single CFast card slot. The CFast card slot enables capturing 4K DCI in Canon’s Cinema Raw Light format.
- MP4 Recording
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UHD 4K and Full HD recording onto SD cards available via both SD card slotsSlow motion recording, pre-recording, frame recording, interval recording
- Recording Functions
- Relay recording and double-slot recording.
- High-Speed Shooting
- You can choose to record at 120/100p when recording in Full HD.
- White Balance
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AWBKelvin setting (2000K to 15000K / -20 to +20 cc)DaylightTungstenSet ASet B
- Other Recording Functions
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Custom picture settingBlack balance adjustmentsColor barsPeaking displayZebra displayMy Menu settingWaveform monitor displayAssignable buttons (1�17)Key lockMarker displayEnlarged displayCustom displayPeripheral illumination correctionGPS support (GP-E2)Monaural microphone
- Playback Operations
- Normal playback, fast-forward (at speeds of 5x, 15x, 60x), fast-reverse (at speeds of 5x, 15x, 60x), frame forward, frame reverse, rec review.
- Clip Display
- 3×4 (clip) index screen (raw/MP4/photo)
